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February 22nd, 2012

Wednesday, February 22nd, 2012

What has happened to Nasa’s missing Moon rocks

The US space agency Nasa recently announced that many of the Moon rocks brought back to Earth from two Apollo space missions have gone missing. They were given as gifts to the nations of the world. So what happened to them?

Towards the end of the Apollo 17 mission on 13 December 1972, Eugene Cernan and Harrison Schmitt - the last men to have set foot on the Moon - picked up a rock.

Cernan announced: “We’d like to share a piece of this rock with so many of the countries throughout the world.”

His wish was fulfilled.

President Richard Nixon ordered that the brick-sized rock be broken up into fragments and sent to 135 foreign heads of state and the 50 US states.

Each “goodwill Moon rock” was encased in a lucite ball and mounted on a wooden plaque with the recipient nations’ flag attached.

Moon rock collected during the Apollo 11 mission in 1969 was also distributed to the same nations and US states.

There were 370 pieces gathered for this purpose from the two missions. Two hundred and seventy were given to nations of the world and 100 to the 50 US states.

But 184 of these are lost, stolen or unaccounted for - 160 around the world and 24 in the US.

The rocks were distributed to countries ranging from Afghanistan to Trinidad and Tobago.
Joseph Gutheinz’s search for the missing Moon rocks began in 1998
“Gaddafi’s government was given two Moon rocks - they’re missing. Romania is missing its Apollo 17 goodwill Moon rock,” says Joseph Gutheinz Jr, the Texas-based lawyer and former Nasa agent, who has become known as the “Moon rock hunter”.

His obsession began in 1998 when - still at Nasa - he set up an undercover sting operation called Operation Lunar Eclipse.

He placed an advert entitled “Moon Rocks Wanted” in USA Today, to entice con-artists selling bogus Moon rocks to approach him.

“What I did not anticipate was that a person with the real thing, the Honduras goodwill Moon rock, would call me,” he says.

The rock - which weighed 1.142g - was offered to Gutheinz for $5m (£3m).

He did not pay the money, but says the asking price was reasonable.

These valuable rocks are not being protected as well as they could be, he says, and both Nasa and the recipient nations have done a poor job of entering them into an inventory system.

He says the only authorised sale of lunar material that he is aware of was in 1993, when the Russian government sold material gathered from the Soviet Union’s Luna 16 mission at Sotheby’s auction house in New York.
Continue reading the main story From lunar landscape to Dublin dump
Dr Ian Elliott worked at the Dunsink Observatory in Dublin when it was destroyed by fire on 3 October 1977.

I heard about the fire on the morning news. I can tell you, that was a bit of a shock.

My main concern was with the disruption to the work of the observatory. It was only afterwards that we realised that the bit of Apollo 11 Moon rock could not be found.

It was gathered up with all of the other debris and dumped in the municipal dump which was conveniently just across the road.

It is probably the only municipal dump in the world that has got a bit of Moon rock.

If we’d had any perception of the rock’s value, perhaps all of the debris would have been sifted by archaeologists and it might have been found.

I am amazed that anyone puts a value of $5m on it, though there are a lot of mad people with money around so they might just pay that.

It is a very big dump, I am afraid. It is worse than a needle in a haystack - you would never find it.

An anonymous private collector bought 0.2g of lunar dust for $442,500 (£280,000).

With potential prices in this range, it is no surprise there is a lucrative black market in moon rocks, both real and fake.

Mr Gutheinz says a woman in California allegedly tried to sell a Moon rock online, and that attempts to sell Spain’s and Cyprus’s moon rocks have been well documented.

“I once offered $10,000 for the recovery of Malta’s stolen Apollo 17 goodwill Moon rock but it still hasn’t been recovered,” he says.

“I know for certain that this was an amateur thief as he only took the rocks, and not the self-authenticating plaque.”

Some Moon rocks have gone astray at times of revolution or political transition. The US national archives show that a rock was presented to the late Romanian dictator, Nicolae Ceausescu, but Gutheinz believes it was sold after his execution.

Then there is the mysterious tale of how - after a fire at an observatory in Dublin - Ireland’s Apollo 11 Moon rock ended up lying in a rubbish dump, after apparently being thrown out with the rest of the debris.

“It’s still there under a couple of tonnes of trash. That could definitely be worth over $5m (£3.1m). I’ll tell you where it’s at. It’s in the Finglas landfill dump in Dublin,” Gutheinz says.

Because of the scale of the task he has challenged his students at the University of Phoenix and Alvin Community College in Texas - where he teaches criminal justice - to help find the missing rocks.

So far, they have helped to track down 77, including those that were given to the governors of the US states of Colorado, Missouri and West Virginia.
The Honduras Moon rock was recovered in a sting operation
Dr Carle Pieters, a planetary geologist at Brown University, Rhode Island, says the knowledge gained from these tiny rocks is priceless.

“I am continually awed when I work with four-billion-year-old lunar samples. They are beautiful and don’t have ugly weathering products often seen in Earth rocks.

“The lunar rocks retain a record of events in the early solar system that we cannot obtain elsewhere.”

While Joseph Gutheinz has compared them to works of art, not everyone is so enthusiastic about them. London-based art writer and curator, Francesca Gavin, describes them as “ugly little things”, although she is not opposed to the idea of seeing one in an art gallery.

“Moon rocks could be seen as artworks - relating in particular to the Chinese tradition of the Philosopher Stones as naturally occurring artworks reflecting the universe in microcosmic form,” she says.

Gavin does not think the rocks are worth $5m (£3.1m), however, and questions the way they are mounted as goodwill gifts.

“The brown plaque, text and flag? It’s pretty uneasy on the eyes.”

Gutheinz concedes he will never be able to recover all of the missing Moon rocks - many are now in private collections - but says there are some he particularly wants back.

“Definitely the Malta Moon rock. I’d really like to see that back,Discount Primp, and the Romanian rock. If I go to Europe, I will hunt that one down. I have a few ideas as to how I’ll do that.

“And I love the story about the Ireland Moon rock - that pot of gold under a dump.”

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Wednesday, February 22nd, 2012

BBC News - Miss Piggy speaks to BBC on Bafta red carpet

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Silent movie The Artist is the odds-on favourite to win best film at a star-studded 65th Bafta ceremony later.

The Artist competes against The Descendants, Drive,wholesale Juicy Couture Bags, The Help and British spy thriller Tinker Tailor Soldier Spy for best film.

The BBC’s Jane Hill spoke to Miss Piggy on the red carpet.

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Wednesday, February 22nd, 2012

Whitney Houston and the art of melisma

Whitney Houston will be remembered as a master of “melisma”. But what is it and why did it influence a generation of singers and talent show aspirants?

An early “I” in Whitney Houston’s I Will Always Love You takes nearly six seconds to sing.

In those seconds the former gospel singer-turned-pop star packs a series of different notes into the single syllable. The technique is repeated throughout the song, most pronouncedly on every “I” and “you”.

The vocal technique is called melisma, and it has inspired a host of imitators. Other artists may have used it before Houston, but it was her rendition of Dolly Parton’s love song that pushed the technique into the mainstream in the 90s.

It can be heard in the songs of Beyonce, Christina Aguilera, Jennifer Hudson and others.
Continue reading the main story “Start Quote
You can’t do it without proper breath control, and that’s the one thing that Whitney Houston had bags of”
End Quote Sarah-Jane Dale Opera singer
And anyone who has watched a talent show like X Factor or American Idol in recent years will have picked up on the trend among amateur singers.

The style became so prominent that former Pop Idol judges Pete Waterman and Simon Cowell had to ban aspiring stars from attempting to tackle Houston’s hits on the show, Waterman says.

“It got so bad in Pop Idol 1 that we literally did say to everybody that walked in, ‘Look there’s no point in you singing Whitney Houston, so if you’re going to sing Whitney Houston, don’t bother singing,wholesale Gucci jewelry, because we’ve heard it so many times now we’re actually averse to it’,” he says.

But the melisma craze isn’t limited to contestants. Fame Academy vocal coach and judge Carrie Grant says her eight- and nine-year-old students come to lessons attempting to belt out their own takes on Houston’s famous melisma.

“She started a whole generation of singers who wanted to riff on their records, and that includes all the Beyonces and the Rihannas and probably every American idol contestant,” Grant says.

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But most fail - miserably, according to Waterman.

In order to achieve Houston’s vocal acrobatics it takes a combination of arduous training and natural talent.

“You can’t do it without proper breath control, and that’s the one thing that Whitney Houston had bags of,” says professional opera singer Sarah-Jane Dale. “Let’s face it, singers like that do not come along every week.”

Houston also selected vowel sounds that would conserve air so she could hold the mammoth notes. For example, singing “luv” instead of “love”, according to Dale.

And then there’s the smooth, effortless sound of Houston’s melisma - the result of using her body to control her voice.
Continue reading the main story The definition
“A group of notes sung to one syllable of text”

Source: Oxford English Dictionary

“It’s not just from your neck up. Singing is your whole body, and if you’re not connected to that breath and where it comes from, down in your diaphragm area, you’re not going to manage it,” Dale says.

The vocal technique traces its roots back to Gregorian chants and the ragas of Indian classical music.

In the modern era singers such as Aretha Franklin, Ray Charles and Sam Cooke are credited with bringing melisma from the choirs of churches to mainstream audiences.

Mariah Carey’s Vision of Love was a notable use. But it was Houston who popularised it and stretched the standards by attaching complicated strings of notes to single syllables.

But the term “melisma” is still relatively obscure within the pop music industry, with the effect often described simply as “ad libbing” or “riffing”.
Whitney Houston inspired a generation of singers, such as Beyonce and Christina Aguilera.
In less flattering terms, Rolling Stone’s David Browne dubbed it an “overpowering, Category 5 vocal style” in the New York Times.

Singers can use melisma as a way of imposing their own personality on a song, according to Waterman.

“A part of this comes from the creative desire to do it your way and not the way the record company, the record producers and the writers are wanting you to do it,” he says. “The writer has written you a tune, and you totally ignore it and do your own thing anyway.”

Houston’s shift from sticking to the song’s parameters in I Wanna Dance with Somebody to taking vocal liberties in I Will Always Love You showcases this artistic transformation.
Continue reading the main story Stars who have used melisma Beyonce Ray Charles Stevie Wonder Aretha Franklin Mariah Carey Jennifer Hudson Christina Aguilera Pink
“I call it vocal gymnastics, where suddenly she wants to show you she can take a tune wherever she wants to take it,” Waterman says. “The vocal performance on it is just mind-blowing, I mean everybody stands up and goes, ‘My God, where did that come from?’”

But perhaps what Houston nailed best was moderation. In a climate of reality shows ripe with “oversinging”, it’s easy to appreciate Houston’s ability to save melisma for just the right moment.

“She’s like a cook who never overused her spice. She was always very delicate about what she would use,” Grant says.

“She never oversang, and people, therefore, were touched and moved by the emotion and the story of that song. She’s the singer that would give you goosebumps.”

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Wednesday, February 22nd, 2012

Floral Prints Are in Bloom This Spring! - UsMagazine.com

Breaking news: Florals will be front and center for you this spring!

They have been plastered all over the runway,Discount Bape wholesale, celebrities have been wearing them for months — and now it’s our turn. I love this limited edition dress — it’s a steal at only $27.80 — from the Twist collection at Forever 21. It’s time to go country rebel!

Check out more timeless beauty and style trends, from florals to red lips to LBDs!

For those of you who think it’s too early to buy such a pretty print, you can actually wear these with black opaque tights (like model Jacquetta Wheeler does) and a boot or high heel. You can layer a cardigan and belt the Rosy Sweetheart Dress as well, then shed the layers when it gets warmer.

Because this line is limited, I would recommend ordering STAT!

PRODUCT DETAILS
Giddyup and go in this satin sweetheart dress with a romantic rose pattern, pleated short sleeves, deep slit pockets, and a bubble hem. All that’s missing is a pair of cowboy boots.

- Lined
- Padded cups
- Shell: 54% polyester, 42% cotton, 4% spandex; Lining: 100% polyester
- Hand wash cold, tumble dry
- Sized small to large
- Imported

Buy it here.

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